"... important point is not to take risks with audition repertoire. It's better to play it safe, even if you sing the same aria over and over again. Of course people have to try out new repertoire. My advice is to try out anything new as often as possible in low-stress situations, such as lessons, small concerts, masterclasses and so on, before singing them in a significant audition. Auditions in important places are hard to come by, and if they go badly, you will not get the chance to be heard by these people again for a long time. There's nothing worse than coming out of an audition wishing you could go back in and do it all over again.“ ... See MoreSee Less Through the Opera Glass: Brenda Hurley Through the Opera Glass: Brenda Hurley September 1, 2015 Emer nestor Considered one of the foremost vocal coaches of her generation, Brenda Hurley has worked in many of the world’s most distinguished opera houses, festivals and young artist training programmes. To date her vibrant career has seen co… 9 years ago Practicing also involves so much more than actually playing your instrument or singing. There are rhythms, text and diction, translations, musical nuances, historical information to digest and learn. For singers, I advise my students to practice actually singing no more than 2 hours (at separate intervals) a day! Those other two hours are for continued learning. The rest of the day is for living - just like the great Rubinstein said! More music advice at www.interlude.hk! 9 years ago AB: You are waiting in the wings for the curtain to rise and are the first to sing – how do you feel? RENÉE FLEMING - Spirit And Flesh Magazine Renée Fleming speaks to Andrew Basile about her life in and beyond opera. ANDREW BASILE: What are you most passionate about? RENÉE FLEMING: This will come as no surprise: I’m passionate about singing, but I don’t mean just classical or opera. I love great vocalism in virtually every style, whether i… 9 years ago Anna-Louise Costello likes this Thoughts are the first step to becoming things! Hard work is the second! Learn from the greatest! "My goal is to become the first African-American principal dancer for A.B.T." -Misty Copeland
Dreams are real. Congrats Misty!
(Photo credit: Henry Leutwyler) 9 years ago Thanks Lorraine DiSimone for posting this! ... See MoreSee Less Let's start this Friday with some some facts. #DidYouKnow 10 years ago Ireene Ollino likes this
Thanks for posting Lena and Mary! ... See MoreSee Less
RF: Pensive, absolutely focused – this is where the preparation has led. Once I step onstage, ideally all that preparation and technique becomes second nature and I can let go in performance. ... See MoreSee Less
Congratulations Misty Copeland! ... See MoreSee Less
Andreas Talarowski, Kim Sheehan Hodge and 3 others like this
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